Conclave review

‘Conclave’ was an amazing watch. Mostly, because it gave the audience an insight into an incredibly private, scared process which almost made the audience intruders. Additionally, I'm pleased that the story didn't follow Propps stereotypical character roles with a ‘Hero’ and a 'Villain’ setting up a simple binary, rather it was much more complex following the main character, Cardinal Lawrence, root out corruption in the Church from conspiring groups/people instead of making it a cliché ‘Bad vs Good. Not only did the picturesque backdrop of the Vatican and Sistine chapel make the cinematography naturally phenomenal, but captured with the various shots: the birds-eye view, long shots and close ups, they were able to enhance the audiences experience through visual story-telling. The costumes were remarkable! Especially the detailing of the stitching and embroidery which were tapestry-like. Despite its beauty, the clothing was a way of reinforcing the hierarchy in the church indicating the importance (or unimportance) of each Cardinals position. 

Alongside that, the use of colours is similarly crucial. When gathering to vote they all wore a scarlet red cape and white rochet to symbolise equality before God and the conclave but in other scenes Cardinal Lawrence is dressed in extravagant garments of a royal purple to highlight his authorial role and power. However, the film definitely offers more entertainment than accuracy but that made it a thrilling watch nonetheless. This has inspired me to start my own research after provoking my interest. Furthermore, I believe the fictional appointment of Cardinal Vincent as Pope, despite genetic differences, poses a question - what can the actual Catholic Church do to discard restrictive, conservative traditions and cater to all in the future?